Book Blurb:
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The verdict’s in. He’s guilty of falling for the opposing counsel.
Nick Adams doesn’t have time for the existential crisis he’s having.
But when I wind up being charged with contempt of court and discover her at the shelter where I’m serving community service, she brings out a side of me I’ve never seen. Could this be the true Nick?
B.J. McCaffrey doesn’t form attachments with anyone.
And playboy counselor Nick Adams would be the last person on the list if I did. But, then again, this isn’t exactly the Nick Adams that people have made him out to be.
Could he heal his broken heart by discovering that, despite outward appearances, she has one? One thing’s for sure. It’s hell being the DEVIL’S ADVOCATE!
He was hired to be her shield, but he never expected she’d
be the one to pierce his heart.
The Protection
Agreement
The Agreement Series Book 4
by A Akinosho
Genre: Age Gap Billionaire Bodyguard Romance
Duty or desire—he’s
sworn to keep her alive.
But staying close blurs the line.
When a threat puts her life in danger, there’s only one man capable of
protecting her—a ruthless bodyguard with a fearsome reputation and loyalty
carved into his bones. The problem? His family and hers are sworn enemies. And
he learned to hate her last name long before he ever knew her.
This is duty.
A contract.
Nothing more.
Shared space. Constant protection.
No attachment. No temptation.
Forced proximity turns restraint into tension. Hatred softens. Awareness
sharpens. Desire becomes impossible to ignore.
She’s a damsel in distress who refuses to be fragile. He’s a possessive
protector bound by duty, fighting feelings he has no right to claim. Every
glance is forbidden. Every moment together is a betrayal written in silence.
As enemies close in and pressure mounts, distance becomes impossible.
Because the longer he stands between her and danger, the harder it is to
remember where duty ends—and desire begins.
He was sworn to keep her alive.
He just wasn’t prepared for what it would cost him.
Touch her… and die?
**NEW RELEASE ON APRIL 24TH!!**
Bruce
Lexi returns from her room and takes the seat next to
me. I’ve concluded that we are fighting
a losing battle. It’s just a matter of time before the attraction between us
takes over and its fiery flame burns through us. We are quiet, our eyes are trained
on the movie even as I’m provocatively attune to her presence, her allure is
seeping into every nook and cranny of my being. It doesn’t take long before she leans into
me. I don’t move out of her reach. She’s soft and warm in my arms and my whole
being is responding to her closeness. I need to get her in bed. I move
her head from my shoulder.
“Hmm,” she groans. “Kiss me, Bruce,” she whispers. I pause
for a moment, convinced I didn’t hear her.
“What did you say?” I ask, betting
she doesn’t realize what she asked of me.
“Kiss me, Bruce,” she says, her voice barely audible. “I
want you to kiss me. I took my meds.“ A chuckle
escapes her “Be aware that I may not remember in the morning, so make it good
so I can dream of you.” She grins, though a bit out of it.
I want her to remember, and I shouldn’t grant her request,
but I’ve been dying to kiss her, so who am I to deny her request especially
when she wants to dream of me. I shift positions so she’s on her back and I
kiss her lips gently and she opens her mouth to let me in. I kiss her with the
fervor of a starved man that I am. Her tongue swirls sweetly with mine. She
wraps her arms around my neck and pulls me closer and deeper to her. My tongue
is seeking every inch of her mouth, my body is intensely aroused. A soft moan
escapes her, it sends a charge through my body.
I can probably make love to her now and she wouldn’t stop me,
but I also want her sober and consenting plus I want her to always remember us,
every touch, every kiss and every thrust of me inside her. I slowly pull away.
Breaking the sweet feel of our kiss.
Fuck, I just
kissed Jonah’s girl and I fucking like it.
She smiles. “Goodnight, Bruce.”
She turns to her side and sleeps like she didn’t just break through
every resistance shield of mine. I sigh because looking at her, I want more. I
feel it in the blood thumping in my veins. My ragged breath that I fucking need
to control. My hands running through my hair in exasperation of what I’ve just
done. I know there’s no going back now.
Leaning down, I lift
her in my arms. She giggles like a little girl. I should leave her in her room,
but I’ve a need for her closeness, I can’t explain or control. I move
slowly with her asleep in my arms and place her gently in my bed. She curls to
her side and sleeps off. I sit on the bed for a moment watching her, “she
can’t leave” the voice that slams in my head. Just as Declan’s words a
while ago “when you kiss the one, you never want another” I feel the
weight of what I’ve done. Kissed the one but she belongs to another man and not
just any man. A man that hates my guts, paid me to keep her safe and sternly
warned me not to touch her. I now know why, he made that request because he knows
once I did.
He and I would be at war. Yet I find myself willing to go to
war for her. Damn it
I move closer and kiss her temple, my palm gently touching
her face. A giggle escapes her and I wonder if she’s dreaming of me. I cover her and get off the bed. I go into
the bathroom to shower and relieve the monster awakening between my legs. I get
temporary relief. Wrapping my towel around my waist. I peep to check on her.
She’s knocked out. I put sleeping pants on and get in bed with her, pulling her
into my arms and she doesn’t resist.
**Don’t miss the
rest of the books in the series!**
Find them on Amazon
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Here are five ways Easter and spring naturally appear in western historical fiction, and why those moments resonate so deeply with readers.
Church was one of the few community institutions that took root almost as soon as settlers did, and Easter Sunday was one of its biggest days of the year. In western historical fiction, an Easter service can do a remarkable amount of storytelling work in just a few pages.
Picture a small congregation crowded into a clapboard church barely bigger than a barn, or a circuit preacher arriving on horseback just in time to hold services under an open sky. Easter meant:
For characters carrying grief—a widow rebuilding after loss, a rancher starting over after a failed first venture—that Easter message lands differently than it would in a comfortable eastern parlor. And for readers, those scenes carry genuine emotional weight.
In the historical West, spring planting was not optional. It was the difference between eating and not eating come winter. That urgency gives spring garden and field scenes a tension that purely decorative settings never quite achieve.
In western historical fiction, the planting season often marks a turning point:
Seed catalogs, which began reaching frontier homes in the latter half of the nineteenth century, appear in period fiction as small miracles. Imagine a woman poring over descriptions of vegetables and flowers she has never grown, making careful choices about what to order with very little money. That catalog is her plan for the future written on paper.
Spring planting also carried the weight of everything that could go wrong—late frost, drought, grasshoppers, flooding. That vulnerability keeps frontier hope from feeling naive. These characters know the risks. They plant anyway.
After a hard western winter, color comes back to the land gradually and then all at once. For readers and writers of western historical fiction, that return of color is deeply satisfying—and symbolically rich.
Different regions brought different blooms:
In fiction, wildflowers can mark the emotional turning point of a story. A heroine who arrived in the West in the dead of winter, doubting every choice she made, steps outside one April morning to find the world has gone gold and blue while she wasn't looking. It doesn't fix her problems, but it gives her a reason to stay.
Wildflowers also give western heroes a rare chance at tenderness. A rough-edged rancher who stops work to let a patch of wild columbine bloom undisturbed, or who brings a handful of field flowers to a woman who has had very few gentle moments—those small details build character quietly and effectively.
Frontier families did not leave all their traditions behind when they crossed the Mississippi. They carried them west in memory and practice, adapting as needed with whatever materials the land offered.
Easter traditions that appear in western historical fiction include:
These traditions, adapted to frontier conditions, connect characters to the homes and families they left behind. They also show readers that the West was settled by whole people—people who missed things, who tried to hold onto beauty even when life was hard, and who believed that celebration still mattered when there wasn't much to spare.
In western historical fiction, spring often arrives at the same time a romance is finding its footing—and that parallel rarely feels accidental. The season does thematic work that supports the story without the author having to spell it out.
Spring in the story arc can signal:
One of the things I love most about writing western historical fiction is that the land itself keeps time. Readers feel the turn of the seasons as a real, physical thing—not just a backdrop, but a participant in the story. Spring's arrival, with all its wildness and hope and risk, is one of the most powerful tools a Western author has.
Whether it's an Easter Sunday that draws a lonely widow back into her community, a garden planted as an act of stubborn faith, or a hillside gone brilliant with wildflowers overnight, spring in the historical West carries a particular kind of promise. It has been tested by winter. It knows what it costs to return. And it comes back anyway—which is really the heart of every good Western romance.
Aristocrat. Outcast. Picara. Slave. Ruler ....
She is descended from the masters of the universe.
To hold her he challenges the gods
themselves.
Wind From the Abyss
The Silistra Quartet Book 3
by Janet Morris
Genre: Dystopian Epic SciFi Fantasy Romance
Dystopia. Fantasy. Science fiction. Allegory. Political.
Wind from the Abyss is the third volume in Janet Morris'
classic Silistra Quartet, continuing one woman's quest for self-realization in
a distant tomorrow.
Aristocrat. Outcast. Picara. Slave. Ruler .... She is
descended from the masters of the universe. To hold her he challenges the gods
themselves.
Praise for Janet Morris' Silistra Quartet:
"The amazing and erotic adventures of the most
beautiful courtesan in tomorrow's universe." -- Fred Pohl
"Engrossing characters in a marvelous adventure."
-- Charles N. Brown, Locus Magazine.
"The best single example of prostitution used in
fantasy is Janet Morris' Silistra series." -- Anne K. Kahler, The
Picara: From Hera to Fantasy Heroine.
This Perseid Press Author's Cut Edition is revised and
expanded by the author and presented in a format designed to enhance your
reading experience with larger, easy-to-read print, more generous margins, and
covers designed for these premium editions.
Wind from the Abyss starts with this . . .
"Since, at the beginning of this tale, I did not
recollect myself nor retain even the slightest glimmer of such understanding as
would have led me to an awareness of the significance of the various
occurrences that transpired at the Lake of Horns, I am adding this preface,
though it was no part of my initial conception, that the meaningfulness of the
events described by "Khys' Estri" (as I have come to think of the
shadow-self I was while the dharen held my skills and memory in abeyance) not
be withheld from you as they were from me. I knew myself not: I was Estri
because the girl Carth supposedly found wandering in the forest stripped of
comprehension and identity chose that name. There, perhaps, lies the greatest
irony of all, that I named myself anew after Estri Hadrath diet Estrazi, who in
reality I had once been. And perhaps it is not irony at all, but an expression
of Khys' humor, an implicit dissertation by him who structured my experiences,
my very thoughts, for nearly two years, until his audacity drove him to bring
together once more Sereth crill Tyris, past-Slayer, then the outlawed Ebvrasea,
then arrar to the dharen himself; Chayin rendi Inekte, cahndor of Nemar,
co-cahndor of the Taken Lands, chosen son of Tar-Kesa, and at that time Khys'
puppet-vassal; and myself, former Well-Keepress, tiask of Nemar, and lastly
becoming the chaldless outlaw who had come to judgment and endured ongoing
retribution at the dharen's hands. To test his hesting, his power over owkahen,
the time-coming-to-be, did Khys put us together, all three, in his Day-Keeper's
city -- and from that moment onward, the Weathers of Life became fixed:
siphoned into a singular future; sealed tight as a dead god in his mausoleum,
whose every move brought him closer to the sum total, obliteration. So did the
dharen Khys bespeak it, himself. . ."
“Morris, so good
at giving us characters we can identify with, characters we can love and hate,
strikes at the very heart of the human condition and the duality of humanity —
both good and evil. Her prose is lean and spot-on, every word carefully chosen
to enhance the milieu of her imaginary world and advance the plot, giving us
access to the thoughts, emotions and machinations of the people whose stories
she is presenting to us. Once again, she gives us a “thinking man’s” science
fiction/fantasy that explores the nature of power and sexuality, and how they
can be used, misused and abused. This is a brilliant, mature and very adult
novel that will not only leave you thinking about your own place in the
universe, but questioning the very nature of existence.” – Goodreads reviewer
I.In Mourning for the
Unrecollected
*Don’t miss the
previous books in the series!**
Best selling author Janet Morris began writing in 1976 and
published more than 30 novels, many co-authored with her husband Chris Morris
or others. She contributed short fiction to the shared universe fantasy series
Thieves World, in which she created the Sacred Band of Stepsons, a mythical
unit of ancient fighters modeled on the Sacred Band of Thebes. She created,
orchestrated, and edited the Bangsian fantasy series Heroes in Hell, writing
stories for the series as well as co-writing the related novel, The Little
Helliad, with Chris Morris. She wrote the bestselling Silistra Quartet in the
1970s, including High Couch of Silistra, The Golden Sword, Wind from the Abyss,
and The Carnelian Throne. This quartet had more than four million copies in
Bantam print alone, and was translated into German, French, Italian, Russian
and other languages. In the 1980s, Baen Books released a second edition of this
landmark series. The third edition is the Author's Cut edition, newly revised
by the author for Perseid Press. Most of her fiction work has been in the
fantasy and science fiction genres, although she has also written historical
and other novels. Morris has written, contributed to, or edited several
book-length works of non-fiction, as well as papers and articles on nonlethal
weapons, developmental military technology and other defense and national
security topics.
Janet said: 'People often ask what book to read first. I
recommend "I, the Sun" if you like ancient history; "The Sacred
Band," a novel, if you like heroic fantasy; "Lawyers in Hell" if
you like historical fantasy set in hell; "Outpassage" if you like
hard science fiction; "High Couch of Silistra" if you like far-future
dystopian or philosophical novels. I am most enthusiastic about the definitive
Perseid Press Author's Cut editions, which I revised and expanded.'
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When her world
loses its color, he’s the only one who can help her find the brush again.
Lance
Loving a Lancaster Book 4
by Stacy Eaton
Genre: Contemporary Small-Town Romance
As a Forensic Accountant, Lance Lancaster lives on facts and
the small details that get overlooked. When his firm takes on a new client, and
Aurora Moonshadow enters the room, the facts he lived by and relied on quickly
begin to vanish, leaving him in the unknown territory of protective gemstones
and Navajo folklore.
Aurora Moonshadow believes in signs and living every minute to the fullest.
After her father passes and she takes over the family business, she finds
herself unable to understand the dire situation her father left behind. That is
until Lance arrives to help her. The creativity that has been hidden by grief
quickly emerges after meeting him, and Aurora is on top of the world until her
protective bracelet breaks.
When Aurora goes missing, Lance returns to Sedona and will do just about
anything to help find her. Learning that she started painting again after their
one night together makes Lance even more determined to locate her and bring her
home safe.
Will they be able to find Aurora before everything she loves is destroyed,
including herself? Or will Lance be left with only her final painting?
Lance is the fourth book in the Loving a Lancaster Series.
This series spin-off of the Loving a Winston Series, which spins
off the Loving a Young Series.
**NEW RELEASE!**
**Don’t miss
the rest of the Loving a Lancaster series!**
Leo, Book 1
Luna, Book 2
Levi, Book 3
Lance, Book 4
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Stacy Eaton is a USA Today Bestselling author and began her
writing career in October of 2010. Stacy took early retirement from law
enforcement after over fifteen years of service in 2016 due to a second serious
concussion. Her last three years on the job were in investigations and crime
scene investigation. She now writes full-time.
Stacy resides in southeastern Pennsylvania with her husband,
who works in law enforcement. She has a daughter in college and a son who is
currently serving in the United States Navy.
Stacy writes a variety of genres, but mostly romance. She
enjoys writing real-life stories that people can relate to with real-life
problems, emotions, and solutions.
Her favorites: Classic cars, photography, Disney, music,
coffee, and her favorite sweatshirt that says, You are dangerously close to
getting killed in my next novel.
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