Monday, April 27, 2026

A Rose Out of Time by Kelly Boggs


A Rose Out of Time 
Book One, Roses of Longbourn
By Kelly Boggs

Book Blurb:

When Austen’s fiction collides with reality, one woman must choose: write history—or live it. 
 
Hannah Ridley has always felt more at home in the pages of her Regency novels than in her own century. As a modern author obsessed with the mysteries surrounding Pride and Prejudice, she’s convinced that Jane Austen’s beloved Bennet family was inspired by real people—real dramas, real secrets, and a real house hidden behind altered names and polite disguises. 
 
Her search leads her to Rosachron Manor, a quiet English estate she believes to be the true Longbourn. But instead of dusty archives or forgotten letters, Hannah stumbles upon something far more extraordinary: a hidden time portal woven into the fabric of the old estate. One breath, one heartbeat—and she is swept into 1814. 
 
Suddenly, Hannah is no longer studying history; she is living it. 
 
Drawn into the rhythms of Regency life, she finds herself entangled with the very family she once believed fictional. Their lives and personalities are still being molded by the aftermath of the famous novel, and at the center of it all stands Elias Winterose—a handsome widower whose dry wit, weary tenderness, and fiercely guarded heart echo the satirical patriarch she has studied for years. 
 
As Hannah navigates a world not her own, she uncovers secrets that could unravel both the past and her future. And every moment with Elias draws her deeper into a love she never expected—and may never be able to keep. 
 
Is Hannah meant to chronicle the truth behind Austen’s masterpiece… or to become part of it? 
 
A sweeping, heart‑tugging time‑slip romance filled with gentle suspense, emotional depth, and the quiet magic of second chances, A Rose Out of Time invites readers into a world where love blooms across centuries and the heart knows its way home. 
 
Step through the portal. Discover the truth behind the legend. And lose your heart in a story where past and present entwine. 

 Excerpt:

Hannah, now wholly at ease in Elias’ presence, did not hesitate when she discovered a finely bound copy of Pride and Prejudice tucked behind a stack of more ancient tomes. She drew it out with a smile and held it aloft. 

“Tell me, Elias—have you read this?” 

He looked up, and his expression shifted into one of theatrical dismay. “Hah! Is there a soul in England who has not read that wretched book and laughed at the follies of the Bennets? I cannot say with certainty who that lady novelist is—though I have my suspicions—but should I ever encounter her again, I fear I may struggle to behave as a gentleman.” 

Hannah laughed, wholly delighted. “Then I shall be sure to keep you well away from any literary salons.” 

Elias regarded her hopeful expression and sighed, not without humour. “I know precisely what you are longing to ask. Were we the Bennets? How much of the tale is true?” 

“Well—yes,” Hannah admitted, her voice soft but steady. “I have wondered far longer than you can possibly imagine.” She knew she ought to offer him an escape, to assure him there was no need to speak of it. But the words would not come. She wanted to know- and she wanted him to tell her. 

His countenance remained unguarded, almost inviting. “You are acquainted, I daresay, with the peculiar talents of a caricature portraitist? He espies some unfortunate gentleman whose nose is but a trifle more prominent than his neighbors’ and proceeds to sketch a likeness so consumed by that singular feature, one forgets the man had eyes or a mouth at all.” 

Hannah inclined her head, careful not to interrupt the flow of his thoughts. 

“That lady novelist,” he continued, “is much the same — only her medium is ink. I read Sense and Sensibility, her debut, and laughed heartily at the charming absurdities she so deftly captured. But it is quite another matter when her pen alights upon one’s own relations. The amusement, I assure you, wears thin. 

“Yes, we were the Bennets—though rendered in caricature. My daughter Jane is indeed a sweet and virtuous girl, but surely no mortal creature could possess the unblemished saintliness attributed to her namesake. Lizzy is the light of my life, and sharp of mind, yet even she might struggle to match the sparkling repartee bestowed upon her in fiction. As for my dear Mary—she is bookish and plain, and does tend to detect sermons where none were intended, but given the company she keeps, who could fault her? In truth, she is far more agreeable than her literary counterpart. Kitty, poor girl, is a follower by nature, but I hold out hope that she possesses a mind of her own and may yet be persuaded to use it—provided she falls under the influence of wiser heads.” 

He paused, and Hannah, leaning forward with unconcealed interest, fervently hoped he had not yet finished. 

“The two Lydias, however—my late wife and my youngest daughter—were, I regret to say, rendered with alarming accuracy. Foolish and indiscreet to a degree that defies polite description. And my cousin, heir to the fictional Longbourn—the so-called Mr. Collins—well, she captured him with such precision that I can only assume she had met him in person.” 

Hannah listened, spellbound, wondering what judgment he might pass upon himself as Mr. Bennet. 

“As for myself,” he said, with a sigh that carried both amusement and regret, “I must own that I am, on occasion, precisely as sarcastic, indolent, and ineffectual as depicted. But that is not the whole of me. I care for my daughters—every one of them—with a depth I seldom know how to express, save through teasing and irony, which is not understood by all. And my late wife—yes, I loved her, in my own fashion. I simply did not know how to live with her, day by day. She could not help the way she was made, and she bore her own burdens, not least the daily trial of my company—and the entail, of course, which hung over us all like a particularly ill-bred spectre.” 

“Ah—the entail,” Hannah said at last, her voice low but steady. “So, it is real, then? And the events in the story—did she invent them entirely, or were they drawn from life?” 

He inclined his head, a shadow of amusement passing over his features. “Names were altered, certainly. Characters and sentiments were, I daresay, embellished for dramatic effect. But the principal events were reported with surprising fidelity. Jane and Lizzy are indeed happily settled, each with a respectable husband. Poor Lydia remains bound to an incorrigible scoundrel—though I cannot imagine he will enjoy a long life, given his habits. There may yet be hope for her, if she can be persuaded to part ways with folly.” 

Author Bio:


Kelly Boggs is a writer who happily wanders between centuries on the page. She draws inspiration from Austen, quiet English estates, and the small wonders of everyday life—including the antics of her two dachshunds, who consider themselves indispensable to her creative routine. She lives in Ohio with her family and far too many books.  

 

Links: 





 

Wednesday, April 22, 2026

Secrets in the Sand by Alana Lorens


Secrets in the Sand
by Alana Lorens

Book Blurb:

After a run of bad relationships, Lily Pearl Evans has finally become an independent woman. In the New Mexico desert town of Chaparral, she works for herself, sets her own rules, and is determined no man will hold her back again.  

Gene Nicholas worked for more than a decade to achieve his dream to be a doctor. Wanting to share his gifts with those less fortunate, he leaves south Florida to volunteer for Doctors Without Borders in Mexico. When Gene provokes a showdown with the local Mexican drug cartel, he becomes a man with a price on his head. On the run, he ends up on Lily's doorstep--a mystery man forced to conceal his past to protect them both.  

With the cartel's dangerous web drawing tight around them, can Lily and Gene survive a drug lord's revenge?

Excerpt:

Gene stood up, becoming aware that most of the women weren’t dressed in what he expected as usual afternoon casual wear in suburbia. No culottes or capris here. Their hair curled loose around bare shoulders. Two wore cocktail dresses, the rest some sort of silky lingerie. They seemed perfectly comfortable as his gaze crawled over their exposed bodies. Most wore no makeup, but he believed they were all beautiful. In diagnostic mode, his brain clicked forward along whatever logical track he could get his hook into.  

“Is this a…?” The woman smiled. 

 “Bordello? You could say that.” She walked across the room toward him, the lower front of her skirt flowing open, revealing legs that couldn’t possibly be on the upward side of thirty, although his trained eye recognized subtle evidence of her age. She held out a peach-nailed hand. “I’m Lily Pearl Evans. Welcome to the Sassafras Social Club.”  

He automatically took the hand extended to him, felt the softness of her skin against his. Up close like this, he could see she had obviously cultivated an early beauty into striking middle-age allure. Without releasing her gaze, Gene smiled. “I’m sorry to impose.”  

“So, Mr. Richards, I’m curious what brought you to us.” Her fingers took hold of his hand, turning it over so she could examine it. He tried to pull away, but she held tight, her grip stronger than he’d expected. “What are you looking for?” he asked, suddenly very aware of his lack of footwear and his vulnerable position.  
 
What if the bordello had ties to Agustin’s cartel? Several of the girls had olive skin, dark hair and eyes. Thinking he was safe, he could have landed in the snake pit. 
 
“Your fate line is very strong,” Lily said, tracing the midline of his palm.  
 
“Is it now?” He looked down at his hand, in his mind’s eye seeing it covered in the blood of the women at his Doctors without Borders clinic, the women and girls assaulted by Agustin and his men. Rejecting the image, Gene let his mind go numb. His eyes closed and shut out the world.  
 
The warmth of her hand didn’t leave his. “I’ve got an itch under my skin that tells me there’s more to you than meets the eye, Mr. Richards.” 

 All he could do was shrug. So much confusion whirled in his mind. He didn’t know if he could trust Lily Pearl. He could hardly trust himself. A week before, he wouldn’t have believed he was capable of killing a man in cold blood. 

Author Bio:


Alana Lorens (aka Barbara Mountjoy) has been a published writer for over 45 years, including seven years as a reporter and editor at the South Dade News Leader in Homestead, Florida. She writes non-fiction, romance, adventure, and suspense novels. She is the author of the Pittsburgh Lady Lawyers series, which draws on her years as a family law attorney in the state of Pennsylvania. One of the causes close to her heart came from those years as well–the fight against domestic violence. She volunteered for many years at women’s shelters and provided free legal services to women and children in need. Alana resides in North Carolina, loving her time in the smoky blue mountains. She lives with her daughter, who is the youngest of her seven children, and eight crotchety cats. 

Author Links 







Twitter:  @AlexanderLyndi 




 

Monday, April 20, 2026

Devil's Advocate by M.J. Schiller


Devil's Advocate
by M.J. Schiller

Book Blurb:

The verdict’s in. He’s guilty of falling for the opposing counsel.  

Nick Adams doesn’t have time for the existential crisis he’s having. 

But when I wind up being charged with contempt of court and discover her at the shelter where I’m serving community service, she brings out a side of me I’ve never seen. Could this be the true Nick? 

B.J. McCaffrey doesn’t form attachments with anyone. 

And playboy counselor Nick Adams would be the last person on the list if I did. But, then again, this isn’t exactly the Nick Adams that people have made him out to be. 

Could he heal his broken heart by discovering that, despite outward appearances, she has one? One thing’s for sure. It’s hell being the DEVIL’S ADVOCATE! 

Excerpt:

B.J. 

I try to help a guy, and he jumps down my throat. Men were a perpetual disappointment to me. I don’t know why I even let my concern show. It was a weakness, and I prided myself on not having those. Or at least not showing them. I found, as a woman, I had to present a professional façade to be taken seriously. Although, I swear that sometimes inside I still felt like a little grubby-faced girl choking on coal dust.  

And of all the people to slip in front of. Nick Adams. As pretentious as he was hot. Was it that physical attraction I felt that made me crack, or the fact that I sensed a little boy in him to match my little girl? I entertained myself briefly with the thought of a young Nick, drowning in his father’s suitcoat. I shook my head as my heels clicked along the crowded corridor of the courthouse. 

He’s the enemy. 

What a stupid thing to do. Open myself up, leaving me vulnerable to the punch in the gut he gave me. 

Fool. 

I’d actually felt tears spring to my eyes for a moment. Well, no more. Nick Adams was part of the loathsome Adams, McGuire, and Drew firm my practice was currently trying to take down. He’d get no more sympathy from me.  

I looked longingly at my place across from the courthouse, wanting nothing more than to escape into the silky sheets that I had on my bed at the moment. But I dutifully took a left and plodded toward the office. I was nothing if not dutiful. The glare from the gigantic gold letters that obnoxiously announced the presence of my firm, Zonderbond and Associates, burned my corneas. As I entered, the security guard nodded at me, doing a very poor job of acting like he wasn’t checking out my legs. Old pervert.  

The unexpectedly short day meant that I could work on some depositions and draft a settlement proposal. Although it was barely one, the office was unusually empty. But it was Friday. That meant something to someone who had a life. My boss, Greg Zonderbond, stuck his head into the hall. 

“Hey, B.J., do you have a moment?” 

We both knew it didn’t matter to him if I did or not. “Sure.” I checked around. A few people were still in the vicinity. I wasn’t totally alone with him. He gave me the creeps. There’d been one incident when he “accidentally” brushed my chest. And another, when he was drunk at a Christmas party, and he ran his hand up my leg, telling me he had “big plans” for me. Ugh! He’d made me a junior partner to keep me from leaving, but everyone knew who was in charge at the firm, and it certainly wasn’t me. 

I purposely left the door open when I entered his office. He leaned casually against his desk.  

“Well, come on over here.” 

My heart beat erratically, but I tried to make sure it didn’t show on my face. I walked toward him. 

“Come on. Have a seat.” He indicated a rolling chair less than a foot from his shin.  

I attempted to be subtle as I sat, scooting the chair back as far as could be done naturally.  

He shifted so that his legs were close to mine. So close, I could feel the heat emanating from his skin. “We haven’t talked in a while. How are things?” 

“Oh, good. Good.” I hated the way my voice shook. “I’ve been billing a lot of hours,” I said more confidently. 

“Oh, I’m sure you have,” he said dismissively. “How is the Mahafey case going?” 

He wanted to hear about my pro bono case? Strange… I cleared my throat. “The judge dismissed it today without prejudice. I’ll have to file again as soon as possible.” 

He frowned. “Why did he dismiss it?” 

“Alvis Mahafey was drunk when he returned from lunch break.” 

He smiled and lifted his gaze slightly. I twisted in my chair to try to catch what he was peering at. Our receptionist, Michelle, was holding up her nails and admiring them, having painted them on company time. It was common knowledge that the two were sleeping together. Michelle was an absolutely worthless receptionist. I was pretty confident she had some other skills that weren’t readily apparent to anyone other than Greg and any of the men she had bedded in the past.  

Greg grasped my chin and rotated it so that I was forced to face him straight on. “Focus, B.J. Focus.” As he said the last, his attention wandered to my cleavage. I sat straighter and leaned away. He tilted his head, staring at me intensely, sending a shiver along my spine. It was that look I’d seen him use while cross-examining witnesses, making them come unraveled. He stood and turned his back to stroll behind his desk. 

I began to breathe more freely. 

“Nick Adams is representing the husband, isn’t he?” The information he gathered and retained never failed to amaze me. A strip of polished wood, front and center on his desk, read “Knowledge is power.” He could be subtle, but he always got his point across. He reminded me of a giant spider with his legs sticking in a myriad of pies. Not a spider, a centipede.  

“Uhh, yes. Nick—” 

“I understand that he recently went through a breakup with a woman he’d been seeing for several months. Talk has it he was even seen picking out a diamond ring for her.” 

This surprised me. Nick had impressed me as the playboy type who could never be in a serious relationship. “I wouldn’t know anything about that.” 

He leaned forward, lacing his fingers on his desk. “Adams, McGuire, and Drew have stolen several clients from us of late.”  

From what I’d heard, it was more a case of us being unsuccessful in our attempts to steal their clients. Greg seemed to have an unusual preoccupation with besting Adams, McGuire, and Drew, especially Nick Adams.  

“I need for you to do something for me, B.J.” 

“Okay,” I responded tentatively. 

He picked up a crystal paperweight and spun it in his hand. “Nick Adams is probably vulnerable right now.” He set the paperweight down suddenly and rose, going to the door to close it. I rotated my chair so as not to have my back to him. “I need for you to seduce him.” 

Author Bio:




M.J. Schiller is a retired lunch lady/romance-romantic suspense writer. She enjoys writing novels whose characters include rock stars, desert princes, teachers, futuristic Knights, construction workers, cops, and a wide variety of others. In her mind everybody has a romance. She is the mother of a twenty-eight-year-old and three twenty-six-year-olds. That's right, triplets! So having recently taught four children to drive, she likes to escape from life on occasion by pretending to be a rock star at karaoke. However…you won’t be seeing her name on any record labels soon.  

 

Monday, April 13, 2026

The Protection Agreement by A. Akinosho

 

 


He was hired to be her shield, but he never expected she’d be the one to pierce his heart.


The Protection Agreement

The Agreement Series Book 4

by A Akinosho

Genre: Age Gap Billionaire Bodyguard Romance


Duty or desire—he’s sworn to keep her alive.
But staying close blurs the line.


When a threat puts her life in danger, there’s only one man capable of protecting her—a ruthless bodyguard with a fearsome reputation and loyalty carved into his bones. The problem? His family and hers are sworn enemies. And he learned to hate her last name long before he ever knew her.

This is duty.
A contract.
Nothing more.

Shared space. Constant protection.
No attachment. No temptation.

Forced proximity turns restraint into tension. Hatred softens. Awareness sharpens. Desire becomes impossible to ignore.
She’s a damsel in distress who refuses to be fragile. He’s a possessive protector bound by duty, fighting feelings he has no right to claim. Every glance is forbidden. Every moment together is a betrayal written in silence.

As enemies close in and pressure mounts, distance becomes impossible.

Because the longer he stands between her and danger, the harder it is to remember where duty ends—and desire begins.

He was sworn to keep her alive.
He just wasn’t prepared for what it would cost him.

Touch her… and die?

 

**NEW RELEASE ON APRIL 24TH!!**

Amazon * Bookbub * Goodreads



Bruce

Lexi returns from her room and takes the seat next to me.  I’ve concluded that we are fighting a losing battle. It’s just a matter of time before the attraction between us takes over and its fiery flame burns through us. We are quiet, our eyes are trained on the movie even as I’m provocatively attune to her presence, her allure is seeping into every nook and cranny of my being.   It doesn’t take long before she leans into me. I don’t move out of her reach. She’s soft and warm in my arms and my whole being is responding to her closeness. I need to get her in bed.  I move her head from my shoulder.

“Hmm,” she groans. “Kiss me, Bruce,” she whispers. I pause for a moment, convinced I didn’t hear her. 

“What did you say?” I ask, betting she doesn’t realize what she asked of me. 

“Kiss me, Bruce,” she says, her voice barely audible. “I want you to kiss me. I took my meds.“  A chuckle escapes her “Be aware that I may not remember in the morning, so make it good so I can dream of you.” She grins, though a bit out of it. 

I want her to remember, and I shouldn’t grant her request, but I’ve been dying to kiss her, so who am I to deny her request especially when she wants to dream of me. I shift positions so she’s on her back and I kiss her lips gently and she opens her mouth to let me in. I kiss her with the fervor of a starved man that I am. Her tongue swirls sweetly with mine. She wraps her arms around my neck and pulls me closer and deeper to her. My tongue is seeking every inch of her mouth, my body is intensely aroused. A soft moan escapes her, it sends a charge through my body.

I can probably make love to her now and she wouldn’t stop me, but I also want her sober and consenting plus I want her to always remember us, every touch, every kiss and every thrust of me inside her. I slowly pull away. Breaking the sweet feel of our kiss.

 Fuck, I just kissed Jonah’s girl and I fucking like it.

She smiles. “Goodnight, Bruce.”

She turns to her side and sleeps like she didn’t just break through every resistance shield of mine. I sigh because looking at her, I want more. I feel it in the blood thumping in my veins. My ragged breath that I fucking need to control. My hands running through my hair in exasperation of what I’ve just done. I know there’s no going back now.

 Leaning down, I lift her in my arms. She giggles like a little girl. I should leave her in her room, but I’ve a need for her closeness, I can’t explain or control.  I move slowly with her asleep in my arms and place her gently in my bed. She curls to her side and sleeps off. I sit on the bed for a moment watching her, “she can’t leave” the voice that slams in my head. Just as Declan’s words a while ago “when you kiss the one, you never want another” I feel the weight of what I’ve done. Kissed the one but she belongs to another man and not just any man. A man that hates my guts, paid me to keep her safe and sternly warned me not to touch her. I now know why, he made that request because he knows once I did.

He and I would be at war. Yet I find myself willing to go to war for her. Damn it

I move closer and kiss her temple, my palm gently touching her face. A giggle escapes her and I wonder if she’s dreaming of me.  I cover her and get off the bed. I go into the bathroom to shower and relieve the monster awakening between my legs. I get temporary relief. Wrapping my towel around my waist. I peep to check on her. She’s knocked out. I put sleeping pants on and get in bed with her, pulling her into my arms and she doesn’t resist. 





**Don’t miss the rest of the books in the series!**

Find them on Amazon



A. Akinosho lives in her own little nest in Illinois. An avid reader and enjoy reading thrillers, suspense and romance novels (partial to romance genre). When, She’s not reading or keeping up with life. She enjoys writing and creating twist to stories. She loves writing about diverse characters, friendship and overcoming challenges through, what is perceived as a weakness.

Friday, April 10, 2026

Five Ways Easter and Spring Appear in Western Fiction by Caroline Clemmons

 


Spring arrives differently on the frontier. There are no department store window displays, no pastel ribbons tied to city lampposts. Instead, spring shows up in the smell of thawing earth, the sound of creeks running high with snowmelt, and the first brave wildflowers pushing through soil that seemed dead just weeks before. For readers and writers of western historical fiction, that rawness makes spring—and Easter—even more meaningful. 

Here are five ways Easter and spring naturally appear in western historical fiction, and why those moments resonate so deeply with readers. 

1. Easter Sunday Services in Frontier Towns and Homesteads 

Church was one of the few community institutions that took root almost as soon as settlers did, and Easter Sunday was one of its biggest days of the year. In western historical fiction, an Easter service can do a remarkable amount of storytelling work in just a few pages. 

Picture a small congregation crowded into a clapboard church barely bigger than a barn, or a circuit preacher arriving on horseback just in time to hold services under an open sky. Easter meant: 

  • Families dressed in their very best, even if "best" meant a clean calico dress and boots polished with tallow. 
  • Communities gathering from miles around—ranches, homesteads, and town lots alike. 
  • Hymns sung without instruments, or accompanied by a battered pump organ someone hauled west in a wagon. 
  • Sermons about resurrection and hope that meant something particular to people who had lost so much to weather, illness, and distance. 

For characters carrying grief—a widow rebuilding after loss, a rancher starting over after a failed first venture—that Easter message lands differently than it would in a comfortable eastern parlor. And for readers, those scenes carry genuine emotional weight. 

2. Spring Planting as a Symbol of Hope and Survival 

In the historical West, spring planting was not optional. It was the difference between eating and not eating come winter. That urgency gives spring garden and field scenes a tension that purely decorative settings never quite achieve. 

In western historical fiction, the planting season often marks a turning point: 

  • A new widow deciding whether to stay on her land or sell out plants her first spring garden alone—and her choice to press seeds into the soil is her answer. 
  • A hero and heroine who have been circling each other warily find common ground working side by side to get crops in before a coming storm. 
  • A homesteader's first kitchen garden signals permanence; she is no longer just surviving—she is building something. 

Seed catalogs, which began reaching frontier homes in the latter half of the nineteenth century, appear in period fiction as small miracles. Imagine a woman poring over descriptions of vegetables and flowers she has never grown, making careful choices about what to order with very little money. That catalog is her plan for the future written on paper. 

Spring planting also carried the weight of everything that could go wrong—late frost, drought, grasshoppers, flooding. That vulnerability keeps frontier hope from feeling naive. These characters know the risks. They plant anyway. 

3. Wildflowers and the Return of Color to the Land 

After a hard western winter, color comes back to the land gradually and then all at once. For readers and writers of western historical fiction, that return of color is deeply satisfying—and symbolically rich. 

Different regions brought different blooms: 

  • Texas hill country and prairies burst with bluebonnets, Indian paintbrush, and evening primrose in March and April. 
  • The Kansas and Nebraska plains saw pasqueflowers pushing through while snow still patched the ground. 
  • The Colorado foothills offered early shooting stars and golden banner along creek banks before the higher elevations had thawed. 

In fiction, wildflowers can mark the emotional turning point of a story. A heroine who arrived in the West in the dead of winter, doubting every choice she made, steps outside one April morning to find the world has gone gold and blue while she wasn't looking. It doesn't fix her problems, but it gives her a reason to stay. 

Wildflowers also give western heroes a rare chance at tenderness. A rough-edged rancher who stops work to let a patch of wild columbine bloom undisturbed, or who brings a handful of field flowers to a woman who has had very few gentle moments—those small details build character quietly and effectively. 

4. Easter Traditions Carried West From Home 

Frontier families did not leave all their traditions behind when they crossed the Mississippi. They carried them west in memory and practice, adapting as needed with whatever materials the land offered. 

Easter traditions that appear in western historical fiction include: 

  • Egg dyeing with natural materials: onion skins for gold and rust tones, beet juice for pink, walnut hulls for brown. Frontier women were resourceful, and their Easter eggs were no less beautiful for being made without store-bought dye. 
  • Easter baskets filled with what was available: dried fruit, a small paper of hard candy, a new hair ribbon if the family could manage it. 
  • Special Easter meals: a ham if the smokehouse allowed, fresh bread, a cake or pie that represented real sacrifice in sugar and flour. 
  • New clothes for Easter Sunday—or the wish for them. A child's longing for a new dress or a young woman carefully mending her best outfit to be presentable can tell you everything about her circumstances without a word of explanation. 

These traditions, adapted to frontier conditions, connect characters to the homes and families they left behind. They also show readers that the West was settled by whole people—people who missed things, who tried to hold onto beauty even when life was hard, and who believed that celebration still mattered when there wasn't much to spare. 

5. Spring as the Season of New Beginnings in the Story Arc 

In western historical fiction, spring often arrives at the same time a romance is finding its footing—and that parallel rarely feels accidental. The season does thematic work that supports the story without the author having to spell it out. 

Spring in the story arc can signal: 

  • A fresh start after winter hardship: Two characters who weathered something difficult together—a blizzard, a cattle loss, an illness—emerge into spring changed, and closer. 
  • The reopening of possibilities: Trails that were impassable in winter are clear. New people arrive in town. Old grudges feel less fixed when the air smells like green grass and wild onion. 
  • The approach of a deadline: Spring also brings roundup, trail drives, and planting urgency. Those practical pressures push characters toward decisions they have been avoiding all winter. 

One of the things I love most about writing western historical fiction is that the land itself keeps time. Readers feel the turn of the seasons as a real, physical thing—not just a backdrop, but a participant in the story. Spring's arrival, with all its wildness and hope and risk, is one of the most powerful tools a Western author has. 

Whether it's an Easter Sunday that draws a lonely widow back into her community, a garden planted as an act of stubborn faith, or a hillside gone brilliant with wildflowers overnight, spring in the historical West carries a particular kind of promise. It has been tested by winter. It knows what it costs to return. And it comes back anyway—which is really the heart of every good Western romance. 

Wednesday, April 08, 2026

Wind from the Abyss by Janet Morris

 

 


Aristocrat. Outcast. Picara. Slave. Ruler ....

She is descended from the masters of the universe.

To hold her he challenges the gods themselves. 


Wind From the Abyss

The Silistra Quartet Book 3

by Janet Morris

Genre: Dystopian Epic SciFi Fantasy Romance



Dystopia. Fantasy. Science fiction. Allegory. Political.

 

Wind from the Abyss is the third volume in Janet Morris' classic Silistra Quartet, continuing one woman's quest for self-realization in a distant tomorrow.

Aristocrat. Outcast. Picara. Slave. Ruler .... She is descended from the masters of the universe. To hold her he challenges the gods themselves.

 

Praise for Janet Morris' Silistra Quartet:

"The amazing and erotic adventures of the most beautiful courtesan in tomorrow's universe." -- Fred Pohl

"Engrossing characters in a marvelous adventure." -- Charles N. Brown, Locus Magazine.

"The best single example of prostitution used in fantasy is Janet Morris' Silistra series." -- Anne K. Kahler, The Picara: From Hera to Fantasy Heroine.

 

This Perseid Press Author's Cut Edition is revised and expanded by the author and presented in a format designed to enhance your reading experience with larger, easy-to-read print, more generous margins, and covers designed for these premium editions.

 

Wind from the Abyss starts with this . . .

 

"Since, at the beginning of this tale, I did not recollect myself nor retain even the slightest glimmer of such understanding as would have led me to an awareness of the significance of the various occurrences that transpired at the Lake of Horns, I am adding this preface, though it was no part of my initial conception, that the meaningfulness of the events described by "Khys' Estri" (as I have come to think of the shadow-self I was while the dharen held my skills and memory in abeyance) not be withheld from you as they were from me. I knew myself not: I was Estri because the girl Carth supposedly found wandering in the forest stripped of comprehension and identity chose that name. There, perhaps, lies the greatest irony of all, that I named myself anew after Estri Hadrath diet Estrazi, who in reality I had once been. And perhaps it is not irony at all, but an expression of Khys' humor, an implicit dissertation by him who structured my experiences, my very thoughts, for nearly two years, until his audacity drove him to bring together once more Sereth crill Tyris, past-Slayer, then the outlawed Ebvrasea, then arrar to the dharen himself; Chayin rendi Inekte, cahndor of Nemar, co-cahndor of the Taken Lands, chosen son of Tar-Kesa, and at that time Khys' puppet-vassal; and myself, former Well-Keepress, tiask of Nemar, and lastly becoming the chaldless outlaw who had come to judgment and endured ongoing retribution at the dharen's hands. To test his hesting, his power over owkahen, the time-coming-to-be, did Khys put us together, all three, in his Day-Keeper's city -- and from that moment onward, the Weathers of Life became fixed: siphoned into a singular future; sealed tight as a dead god in his mausoleum, whose every move brought him closer to the sum total, obliteration. So did the dharen Khys bespeak it, himself. . ."

 

“Morris, so good at giving us characters we can identify with, characters we can love and hate, strikes at the very heart of the human condition and the duality of humanity — both good and evil. Her prose is lean and spot-on, every word carefully chosen to enhance the milieu of her imaginary world and advance the plot, giving us access to the thoughts, emotions and machinations of the people whose stories she is presenting to us. Once again, she gives us a “thinking man’s” science fiction/fantasy that explores the nature of power and sexuality, and how they can be used, misused and abused. This is a brilliant, mature and very adult novel that will not only leave you thinking about your own place in the universe, but questioning the very nature of existence.” – Goodreads reviewer

 

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I.In Mourning for the Unrecollected

 

The hulion hovered, wings aflap, at the win­dow, butting its black wedge of a head against the pane. Its yellow eyes glowed cruelly, slit-pupiled. Its white fangs, gleam­ing, were each as long as my forearm.
I screamed.
Its tufted ears, flat against its head, twitched. Again and again, toothed mouth open wide, it battered at the window, roaring.
Once more I screamed and ran stumbling to the far wall of my prison. I pounded upon the locked doors with my fists, pressing myself against the wood. Sobbing, I turned to face it.
The beast’s ears flickered at the sound. Those jaws, which could have snapped me in half, closed. It cocked its head.
I trembled, caught in its gaze. I could retreat no farther. I sank to my knees, moaning, against the door frame.
The beast gave one final snort. Those wings, with a spread thrice the length of a tall man, flapped decisively, and it was gone.
When the hulion was no more than a speck in the greening sky, I rose clumsily, shaking, to collect the papers I had strewn across the mat in my terror. They were the arrar Carth’s papers, those he had forgotten in his haste to answer his returning master’s summons.
I knelt upon my hands and knees on the silvery pile, that I might gather the pages and replace them in the tas-sueded folder before Carth returned.
Foolish, I thought to myself, that I had so feared the hulion. It could not have gotten in. I could not get out: It could not get in. Once I had thrown a chair at that impervious clarity. The chair had splintered. With one stout thala leg, as thick as my arm, had I battered upon that window. All I had accomplished was the transformation of chair into kindling. The hulion, I chided myself, could have fared no better.
Hulions, upon occasion, have been known to eat man-flesh. Hulions, furred and winged, fanged and clawed, are the servants of the dharen who rules Silistra. I had had no need to fear. Yet, I thought as I gathered the arrar Carth’s scattered papers, hulions are fearsome. Perhaps if I had been able, as others are, to hear its mind’s intent, I would have felt differently. My fingers, numb and trembling, fumbled for the delicate sheets.
One in particular caught my eye. It was in Carth’s precise hand and headed: “Preassessment Monitoring of the Arrar Sereth. Enar Fourth Second, 25,697.”
I had met, once, the arrar Sereth. Upon my birthday, Macara fourth seventh, in the year ’696 had I met him, that night my child had been conceived. I had read of his exploits. He frightened me, killer of killers, enforcer for the dharen, he who wore the arrar: chald of the messenger. Sereth, scarred and lean and taut like some carnivore, who had loved the Keepress Estri, my namesake, and with her brought great change to Silistra in the pass Amarsa, 25,695 — yes, I had met him.
I sat myself down cross-legged on the Galeshir carpet, papers still strewn about, forgotten, and began to read:
The time is approximately three enths after sun’s rising, the weather clouded and cool, our position just south of the juncture of the Karir and Thoss rivers. I highly recommend that you look in upon the moment.
The arrar Sereth, on the brindle hulion Leir, touched his gol-knife. It was the first unnecessary movement he had made in over an enth. My presence, alongside upon a black hulion, disquieted him. The brindle, gliding at the apex of its bound, snorted. He touched its shoulder, and the beast, obedient, angled its wings and began its descent.
When its feet touched the grass, he set it at a grounded lope. 1 followed suit, bringing my black up to pace him.
Sereth regarded me obliquely. I, as he, served the dharen, he thought, and touched his hulion to a stop.
We had been riding all the night, up from Galesh, where I had met him with the two beasts. He had served the dharen, most lately, in Dritira. And before that, in the hide diet, and before that upon the star world M’ksakka had he dealt death and retribution at Khys’ whim. And dealt them successfully, though those tasks had been fraught with deadlier risk than a man might be expected to survive. His thought was wry, recollecting.
“How did you find M’ksakka?” I asked, to key him, to bring something else above the impenetrable shield he has constructed. My hulion rumbled at the brindle he rode, and that one answered.
“I will make a full report to Khys,” he said, slipping off the hulion’s back. “Let us rest them.”
I joined him where he lay upon the grass, staring at the sky.
“I missed this land,” he said. “The sky there is dark and ominous, always cloudy. M’ksakkan air stings eyes and lungs. Everything is covered with a fine black dust. I would not go again off the planet.”
“Perhaps he will not send you,” I conjectured.
He saw M’ksakka, and that seeing was colored by his distaste, both for the world and the work he had done there. The methods he had employed displeased his sense of fitness. The value of the M’ksakkan’s death was to him obscure. I saw the moment: the adjuster’s surprised eyes, wide and staring as Sereth’s fingers closed on his throat, around his windpipe,·the M’ksakkan’s clawing hand upon his wrist as he ripped out the man’s larynx, vocal folds dangling; then the blood, spurting, and the sound of the adjuster’s choking death. And I saw others he had killed, those who were anxious to try their skills against a real live Silistran. He had been hesitant to do so, but more hesitant to face an endless line of their ilk, so he had killed the first three. Again, his thoughts sank below readable level. The hulions lay quiet, lashing their tails. The clouds scudded heavy over the sun. A soft, drizzling rain commenced.
“The dharen is pleased with you,” I said.
He sat up, his mind absolutely inviolate. “What do you want, Carth?” He stared down at me. I lay perfectly still. He made no attempt to read me for his answer. He merely waited.
“A first impression. You are coming up for assessment.” I rose up. “We want to get some sense of you. Your mental health is now our concern.” He ducked his head, ripping grass from the sward. “You brought child upon that well woman in Dritira,” I prodded.
He saw her. In many ways she had reminded him of the Keepress. It had been passes since he had taken a woman. On M’ksakka there were females, but nothing he understood to be a woman. He had not couched many of them. And in hide diet, there were only forereaders. In Dritira, with that woman who reminded him of the Keepress, he had spent his long-pent seed. Four times he had used her, before she was more than a receptacle in his sight. And he had abused her, more than was his custom.
“Get me the forms. I will collect my birth-price,” he answered. He did not want the woman.
“You should take her. We have been considering her. She might yet make a forereader.”
“Then it is a pity she caught. From inferior blood can come only inferior stock.”
“Khys has asked me,” I told him, “to bid you welcome to any of the forereaders we hold in common at the Lake. Spawn from such a union surely would be possessed of talent. The bitterness you hold is out of proportion to the reality. We all, at one time or another, find there is something we want that we may not have.”
He did not answer me, but rose and went to his hulion. He thought of the Keepress Estri as one thinks of the dead, with acceptance; and then thought of his own life, and what compromises he has made to keep it. What he let me know, I have no doubt, will please you. What he did not — that is what concerns me. He allowed me nothing else for the duration of our return.
His shield, as you will find, is set lower and much farther into his deeper conscious than any I have encountered. Most of his processing must take place behind it. Deep-reading him is out of the question. He visualizes barely enough to verbalize his will. That he is functioning superbly is attested by his works. That he feels it to his advantage to serve us at present is a certainty. I worry over what might occur should he choose, eventually, not to serve us.
My formal recommendation is for a complete and detailed assessment. Also, I feel some attempt might be made to pacify him, in light of what he is fast becoming. Or perhaps even to eliminate him, lest he become, like Se’keroth, the weapon turned upon the wielder.
And it was signed Carth.
“Carth!” I gasped, as a dark hand snatched the sheet from my grasp. Still upon my knees, I twisted to see him. His dark eyes gleamed. He ran his hand through his black curls.
“Did you find this informative, Estri?” he asked, towering over me, the paper crumpled in his fist. Carth was furious.
I dared not answer. I started to my feet.
“Pick these up!” he commanded, pointing.
I scurried to obey him, scrambling for the leaves strewn upon the web-work carpet, my stomach a knot. Once before, I had seen Carth this agitated, when I had written for him a certain paper. And he had called it audacious, and destroyed it. I finished, and rose to my full height, handing the tas envelope to him. My head came to his shoulder. He looked down at me, stern-faced.
“You were ill-advised to do this,” he said. “The dharen is not pleased with you. This” — he threw the crumpled sheet across the room — “will only aggravate matters. You had best make some effort to placate him.”
“What do you mean?” I demanded. “Has he taken some sudden interest in me?” I had seen the dharen precisely three times since I had come to reside at the Lake of Horns: the night he had gotten me with child, the day following, and once while I lay near death when the unborn had driven me to seek it. He had not been at the Lake of Horns when I bore his he-beast into the world. I had cried out for him during that premature and extended labor. He had been unavailable. Now, nearly eight passes later, he had returned.
“Do not be insolent!” Carth’s voice rasped as his palm cuffed my face to one side. Tears in my eyes, I put my hand to my cheek. It was what I had thought, not what I had said, that had brought me chastisement. Shaking my head, I backed away from him. Though I had known Carth a telepath, a surface-reader, rarest of Silistran talents, never had he shown his skills before me, one who neither spoke nor heard the tongues of mind.
“Estri, come here.”
I went to him, my hand trailing from my cheek to the warm, pulsing band locked about my throat.
When I stood before him, he lifted my face, his hand under my chin, so I must look into his eyes.
“He is very angry, child. You must realize that what you think is as audible to him as what you say. I know it was not malicious, that you read what you found. Forget it, if you can. Concentrate on what lies before you.” He patted my back, all the anger gone out of him.
“I do not want to see him,” I said, toying with the ends of my copper hair, grown now well below mid thigh.
Carth pursed his lips. “You have no choice. He will see you in a third-enth. Make ready.” And he turned and strode through the double doors that adjoined my prison to Khys’ quarters. Khys, my couch-mate, was again in residence. The dharen of all Silistra, back from none knew where, would again rule from the Lake of Horns.
Make ready, indeed, I thought, combing my hair. I had only the white, sleeveless s’kim I wore; thigh-length, of simple web-cloth. My jewelry was the band of restraint at my throat. I retied the garment upon my hips. Throwing my hair back, I regarded myself in my prison’s mirrored wall. My body, copper-skinned, lithe, only shades lighter than my thick mane, postured at me, arrogant. I had thought, for a time, that the he-beast had destroyed it, but such had not been the case. Exercise had given its grace and firmness back to me. My legs are very long, my waist tiny, hips slim. Pregnancy had altered me little. My breasts were still high and firm, my belly flat and tight. Good enough for him, surely. I widened my eyes suggestively, then stuck my tongue out at her. She made a face back. I grinned and wondered why I had done so, turning from the wall that ever showed me the boundaries of my world.





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Best selling author Janet Morris began writing in 1976 and published more than 30 novels, many co-authored with her husband Chris Morris or others. She contributed short fiction to the shared universe fantasy series Thieves World, in which she created the Sacred Band of Stepsons, a mythical unit of ancient fighters modeled on the Sacred Band of Thebes. She created, orchestrated, and edited the Bangsian fantasy series Heroes in Hell, writing stories for the series as well as co-writing the related novel, The Little Helliad, with Chris Morris. She wrote the bestselling Silistra Quartet in the 1970s, including High Couch of Silistra, The Golden Sword, Wind from the Abyss, and The Carnelian Throne. This quartet had more than four million copies in Bantam print alone, and was translated into German, French, Italian, Russian and other languages. In the 1980s, Baen Books released a second edition of this landmark series. The third edition is the Author's Cut edition, newly revised by the author for Perseid Press. Most of her fiction work has been in the fantasy and science fiction genres, although she has also written historical and other novels. Morris has written, contributed to, or edited several book-length works of non-fiction, as well as papers and articles on nonlethal weapons, developmental military technology and other defense and national security topics.

Janet said: 'People often ask what book to read first. I recommend "I, the Sun" if you like ancient history; "The Sacred Band," a novel, if you like heroic fantasy; "Lawyers in Hell" if you like historical fantasy set in hell; "Outpassage" if you like hard science fiction; "High Couch of Silistra" if you like far-future dystopian or philosophical novels. I am most enthusiastic about the definitive Perseid Press Author's Cut editions, which I revised and expanded.'

 

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Monday, April 06, 2026

Lance by Stacy Eaton

 

 


When her world loses its color, he’s the only one who can help her find the brush again.


Lance

Loving a Lancaster Book 4

by Stacy Eaton

Genre: Contemporary Small-Town Romance



As a Forensic Accountant, Lance Lancaster lives on facts and the small details that get overlooked. When his firm takes on a new client, and Aurora Moonshadow enters the room, the facts he lived by and relied on quickly begin to vanish, leaving him in the unknown territory of protective gemstones and Navajo folklore.

Aurora Moonshadow believes in signs and living every minute to the fullest. After her father passes and she takes over the family business, she finds herself unable to understand the dire situation her father left behind. That is until Lance arrives to help her. The creativity that has been hidden by grief quickly emerges after meeting him, and Aurora is on top of the world until her protective bracelet breaks.

When Aurora goes missing, Lance returns to Sedona and will do just about anything to help find her. Learning that she started painting again after their one night together makes Lance even more determined to locate her and bring her home safe.

Will they be able to find Aurora before everything she loves is destroyed, including herself? Or will Lance be left with only her final painting?

Lance is the fourth book in the Loving a Lancaster Series. This series spin-off of the Loving a Winston Series, which spins off the Loving a Young Series.


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Leo, Book 1
Luna, Book 2
Levi, Book 3
Lance, Book 4

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Stacy Eaton is a USA Today Bestselling author and began her writing career in October of 2010. Stacy took early retirement from law enforcement after over fifteen years of service in 2016 due to a second serious concussion. Her last three years on the job were in investigations and crime scene investigation. She now writes full-time.

Stacy resides in southeastern Pennsylvania with her husband, who works in law enforcement. She has a daughter in college and a son who is currently serving in the United States Navy.

Stacy writes a variety of genres, but mostly romance. She enjoys writing real-life stories that people can relate to with real-life problems, emotions, and solutions.

Her favorites: Classic cars, photography, Disney, music, coffee, and her favorite sweatshirt that says, You are dangerously close to getting killed in my next novel.

 

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